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Music stars face box office test

A$AP Rocky and others confront the gap between fame and cinema appeal as box office details remain scarce.

August 22, 2025 at 02:00 PM
blur Why A$AP Rocky, Taylor Swift and The Weeknd Struggle at Box Office

A closer look at why mega stars like A$AP Rocky, Taylor Swift and The Weeknd fail to convert fame into cinema audiences.

Music Stars Struggle to Translate Fame Into Box Office

At the Cannes Film Festival premiere of Highest 2 Lowest, A$AP Rocky drew cameras and buzz, but the film opened in roughly 300 theaters on August 15 with weak returns. In an unusual move, A24 and Apple Studios did not publish official grosses, offering only a brief note about limited openings. The cast includes Denzel Washington and Ice Spice, with Rocky and Rihanna attending early marketing events. The decision to withhold numbers has sparked questions about transparency in an industry that relies on box office as a funding signal.

Across the industry, music names have tried cinema with mixed results. Taylor Swift’s Amsterdam earned a modest $31 million on an $80 million budget; The Weeknd’s Hurry Up Tomorrow opened widely but finished with about $5.2 million domestically. Lady Gaga’s Joker: Folie à Deux drew attention but earned $208 million against a roughly $200 million budget. A Star Is Born showed that a musician-led film can succeed when the project fits the artist and the budget, but many attempts fall short. Analysts say fame brings awareness but not loyalty, and a fan base does not always translate into broad moviegoing. The article also notes that A24’s usual transparency is unusual in this case, fueling questions about reporting standards and accountability for big releases.

Key Takeaways

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Box office transparency for star-led projects is inconsistent
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Fame drives awareness but not guaranteed audience loyalty
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Role fit and budget are crucial for crossover success
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Fan enthusiasm does not always translate to theater attendance
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Mid-budget star-led films carry higher financial risk
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Transparency about grosses matters for investor confidence
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Studios may rethink how they market and fund musician-led films

"Fame isn't really transferable currency across mediums."

Box office analyst explains why music stars struggle to convert fame into film success.

"A musician would almost have to fully reinvent themselves to make that transition."

Jeff Bock on the need for reinvention.

"Music fans want to see their favorite artists in person at a concert, not on a screen."

Bock on fan behavior driving cinema attendance.

"Crossover for a very popular artist can be very difficult."

Shawn Robbins on the challenges of artist-led films.

The pull of a music star into film is a risky bet that hinges on more than name recognition. Audiences separate music fandom from acting credibility, and star power does not guarantee a theater sellout. Mid-budget films led by celebrities face fragile economics, where the right role, trusted director, and a compatible budget can decide fate. Platform strategy and release timing further complicate outcomes, especially as streaming reshapes how studios monetize high-profile bets. History shows some successes when the artist benefits from a well-suited role, but many attempts stall when the project misses the emotional core that drew fans to the artist in the first place. The transparency issue around Highest 2 Lowest adds another layer of risk for investors and marketers who rely on box office signals to guide future bets.

Highlights

  • Fame isn't really transferable currency across mediums.
  • A musician would almost have to fully reinvent themselves to make that transition.
  • Music fans want to see their favorite artists in person at a concert, not on a screen.
  • Crossover for a very popular artist can be very difficult.

Box office transparency and budget concerns

The decision to withhold box office numbers for Highest 2 Lowest raises questions about transparency and could prompt investor skepticism and public backlash. It also intersects with cited budget figures for other star-led projects, underscoring the financial risks involved when majors gatekeep performance data.

The journey from stage to screen remains uneven and instructive

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