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Angels co writer seeks share of royalties

Irish songwriter Ray Heffernan says he co wrote Angels and plans to claim a share of future royalties from Robbie Williams.

August 26, 2025 at 05:35 PM
blur Angels ‘co-writer’ paid £7,500 set to sue Robbie Williams

Irish songwriter Ray Heffernan argues he helped write Angels and plans to claim a portion of future royalties from Robbie Williams.

Angels co writer seeks a share of future royalties from Robbie Williams

An Irish songwriter says he helped write the hit Angels and was paid just £7,500 for handing over the song after meeting Robbie Williams in a Dublin bar in 1996. Ray Heffernan says the work was created while his partner suffered a miscarriage, and he intends to use the European Union bestseller clause to recoup royalties he believes are owed. Angels became Williams’ signature track after his Take That era, and it remains a defining hit with hundreds of millions of streams.

Key Takeaways

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Credit disputes can surface years after a hit changes hands
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The case tests EU copyright provisions in a long running song
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Financial stakes include potential future royalties rather than a one-time payment
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Personal context like miscarriage adds complexity to legal arguments
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Outcomes could influence how credits are assigned on other legacy tracks
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Public scrutiny will hinge on transparency from all parties involved

"Heffernan says he was paid £7,500 for handing over Angels"

Core factual claim about payment

"This dispute is really about who gets credit and who benefits financially"

Editorial framing of the dispute

"If true, the case could set a precedent for how long running hits are credited"

Potential impact on music rights

"The miscarriage backstory makes this dispute emotionally charged"

Human element shaping the case

This dispute centers on authorship credits and who benefits when a song endures for decades. It raises questions about how collaborations are recognized and compensated long after a track becomes a cultural fixture. In the music business, credits are a form of currency, and this case could push publishers and artists to rethink how gains from a long-lasting hit are shared. The personal backstory adds a human layer that will complicate public perception and press coverage.

Highlights

  • Credit should follow the melody not the wallet
  • Every songwriter deserves a stake in the chorus
  • A fair share for a song that became a hit
  • Claims over angels credits test the music business

Legal dispute over song credits carries financial and reputational risk

The claim touches on authorship, royalties, and a sensitive personal backstory. A ruling could affect how credits are assigned on legacy hits and potentially trigger broader scrutiny of music industry practices.

The outcome could redraw the map of authorship in pop music, with consequences for artists, lawyers and fans alike.

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