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Venice premiere draws standing ovation for After the Hunt
Julia Roberts and Andrew Garfield headline the Venice premiere as the film faces heated questions about its MeToo messaging and dialogue potential.

Venice premiere of After the Hunt draws a standing ovation and sparks debate over its treatment of MeToo and cancel culture.
Julia Roberts and Andrew Garfield Light Up Venice with After the Hunt
Julia Roberts and Andrew Garfield arrived at the Venice premiere of After the Hunt to a six-minute standing ovation on the Lido. Roberts was visibly moved, wiping away tears and sharing hugs with director Luca Guadagnino and co stars Ayo Edebiri and Garfield as fans shouted their names.
The Amazon MGM Studios release centers on Alma Olsson, a revered Ivy League professor who faces a secret past after a colleague is accused of crossing a line with a student. Garfield plays Henrik Gibson, the colleague, and Edebiri plays Maggie Price, Alma's protégé who comes forward with the allegation. The film has already sparked questions at a Friday press conference about its messaging around the MeToo movement and cancel culture. Roberts defended the work, saying it is about portraying people in a moment in time and not about controversy. The film opens in New York and Los Angeles on Oct 10 and expands nationwide Oct 17.
Key Takeaways
"We're not making statements; we are portraying these people in this moment in time."
Roberts on the film's framing
"If making this movie does anything, getting everybody to talk to each other is the most exciting thing that I think we could accomplish."
Roberts on audience engagement
"We are challenging people to have conversation."
Roberts on the film's aim
Premier ovation signals strong festival support, but the film's handling of consent and accountability invites debate about how audiences interpret MeToo in cinema. The premiere also highlights the strain between prestige cinema and hot button topics as audiences wrestle with what a drama about power should say.
The festival spotlight and star power put Roberts and Guadagnino at the center of a broader shift in how cinema engages public conversations. The risk is that controversy overshadows craft, while the benefit is a lasting conversation that keeps the film in public mind as it reaches theaters.
Highlights
- Dialog beats dogma when cinema tries to challenge us
- Conversation is the true test for a film about power and consent
- A movie that asks us to talk is more valuable than one that avoids questions
- Art sparks discussion even when it stirs debate
MeToo framing may provoke backlash
The film engages sensitive topics around consent and the MeToo movement, raising the potential for public backlash or polarized reception.
Venice remains a stage where cinema meets public discourse.
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