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Turner Calls Kiss Scene in The Dreadful vile
Sophie Turner describes an awkward on set kiss with Kit Harington in The Dreadful as vile, highlighting the challenges of intimate scenes in Gothic horror.

Turner discusses her Gothic horror The Dreadful and an awkward on set kiss with Kit Harington.
Sophie Turner calls kissing Kit Harington in The Dreadful vile
Turner spoke on Late Night with Seth Meyers about The Dreadful, a Gothic horror she stars in and also produces. She said she recruited Kit Harington to co star without fully reading the script, and the first kissing scene between their characters was described as vile and awkward. The film, directed by Natasha Kermani, also stars Marcia Gay Harden and wrapped filming in January. True Brit Entertainment will distribute in the U.K. and Ireland, with no worldwide release date yet announced.
The article ties the project to Turner and Harington’s enduring GoT partnership, and notes ongoing speculation about each actor’s future in big franchises. Turner has been linked to a Tomb Raider reboot, while Harington’s return to the MCU as Black Knight has faced a slower, uncertain path. The piece paints a picture of how star power and familiar faces shape small to mid budget horror projects and their marketing strategies.
Key Takeaways
"It was vile"
Turner describing the first kiss scene with Harington
"we are retching on set"
Turner recounting the moment the couple kissed
"this is going to be really fucking weird Soph"
Harington's reaction to the project
The interview spotlights how the GoT alumni route continues to shape audience interest and marketing bets for niche genres like Gothic horror. Turner’s dual role as star and producer signals creative leverage, which can help a project stand out in a crowded market. Yet intimate scenes and frank remarks about them remind readers that films live or die by the way they handle boundaries and press narratives. The discussion around Lara Croft and Black Knight shows how leverage across franchises remains a strategy, not a guarantee, for sustaining momentum.
In a broader sense, the piece underscores how the industry leans on familiar faces to attract attention to projects with modest budgets. The lack of a global distribution date highlights a practical risk for investors and distributors, even as it preserves the possibility of a targeted UK and Ireland rollout. The public chatter around these stars will likely influence marketing choices as The Dreadful moves toward its eventual release.
Highlights
- Kiss scenes test more than nerves
- Past fame follows every new project
- Gothic horror relies on mood not gossip
- Boundaries shape big screen comebacks
Sensitivity around on screen intimacy and GoT ties
Turner’s comments about on screen intimacy with Harington, a former GoT co star, risk prompting audience backlash or scrutiny of how intimate scenes are discussed publicly. The piece also explores star power in selling niche horror and potential franchise opportunities, which could affect marketing and perception.
The next steps for The Dreadful depend on sparking interest without reducing the Gothic mood to a headline.
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