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Spike Lee Reinterprets Kurosawa Classic in Highest 2 Lowest

Spike Lee's Highest 2 Lowest debuts in theaters this Friday and arrives on Apple TV+ in September.

August 13, 2025 at 08:15 PM
blur In 'Highest 2 Lowest,' Spike Lee reinterprets Akira Kurosawa's classic 1963 film

Spike Lee’s Highest 2 Lowest reinterprets Kurosawa’s High and Low with a New York twist and a high-stakes ransom plot.

Spike Lee Reimagines Kurosawa Classic in Highest 2 Lowest

Spike Lee’s Highest 2 Lowest reimagines Akira Kurosawa’s 1963 classic High and Low. Denzel Washington plays David King, a New York City penthouse boss whose life is upended when a kidnapping targets a friend’s child, the son of his driver. The twist is that the kidnapped is not King's own son but his driver’s child, and the ransom runs to 17 million dollars. The film opens in theaters this Friday and will stream on Apple TV+ in September. Lee frames the story as a modern chase that blends a crime thriller with social drama, set against an urban soundscape that blends Eddie Palmieri's music with action sequences on a subway and city streets. The project positions itself as a dialogue between Kurosawa's original and a contemporary metropolis while paying homage to classic crime cinema.

Lee casts A$AP Rocky opposite Washington and uses Eddie Palmieri's score to fuse cultural textures with the suspense. The interview embedded in the piece shows Lee describing his approach as a jazz musician reinterpreting a standard, aiming to provoke the audience to confront wealth and responsibility. The film foregrounds class and race without losing the thriller pulse, and it nods to The French Connection as a source of kinetic energy in its subway chase.

Key Takeaways

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Spike Lee reinterprets a Kurosawa classic for today’s cityscape
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Denzel Washington anchors a moral dilemma around a friend’s child
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A$AP Rocky adds generational tension and authenticity
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Eddie Palmieri’s score threads music through tension and action
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The film blends chase thrills with social commentary on wealth and race
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The project invites discussion on cultural reinterpretation and audience expectations
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The artistry aims to honor the past while inviting fresh eyes to the story

"This is a reinterpretation. There’s a tradition of jazz musicians doing their own reinterpretations of standing classic songs."

Lee explains his approach to adapting a Kurosawa work as a jazz musician would reinterpret a standard.

"Everybody that sees that scene, whether in a theater or home, is going to ask themselves that question and they’re going to remain different answers."

Lee on the audience moral dilemma during the ransom scene.

"I’m a jazz musician. My father’s a great jazz musician, so we were reinterpreting a great standard."

Lee describes the artistic mindset behind the remake.

"That scene is one of the highlights and the original High and Low."

Lee highlights the homage to Kurosawa’s film.

Lee’s remake is not a simple retelling; it is a cultural conversation about who gets to tell a Kurosawa story today. By making the chauffeur a dignified Black man in a tight moral bind, he invites viewers to weigh empathy against power. The inclusion of Eddie Palmieri's live score and a Puerto Rican Day Parade sequence places the film in a New York we rarely see in Kurosawa’s shadow. The clash between a high-society crisis and urban life creates a rhythm that updates the original’s social critique for modern concerns about wealth gaps and representation. Casting A$AP Rocky injects generational tension that keeps the protagonist on edge and raises questions about mentorship and fatherhood. The risk is clear: audiences may compare this directly with Kurosawa’s gold standard, yet Lee’s jazz-inspired approach signals confidence that a classic can live in a new key and still spark debate.

Highlights

  • Jazz musicians reinterpret classics in new keys
  • If you’re in Denzel’s seat, how far would you go
  • This scene asks the audience to pick a path
  • Dignity in a crime drama matters

Financial and cultural risk tied to remake

The film navigates sensitive topics around wealth, race, and class in a modern city. The production carries budgetary and marketing risks as it reinterprets a revered classic.

A modern remix of a classic leaves a lasting question for audiences about who owns a screenplay’s legacy

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