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South Park releases uncensored end credits clip
Paramount+ viewers get extra end credits scene sparking satire debate.

A new clip from South Park mocks Kristi Noem’s ICE role and has viewers debating the ethics of TV satire.
South Park amplifies critique of Kristi Noem ICE scene
South Park posted a 27 second clip on X on Monday, labeling it the Paramount+ version of the end credits scene. The footage, not aired on Comedy Central, shows a Kristi Noem caricature in a pet store firing a weapon, resulting in a high canine body count. The episode Got a Nut drew 838,000 viewers on Comedy Central, about twice the season premiere’s 430,000. The scene adds to a running thread in which the show targets Noem and her public image.
Earlier, Homeland Security had shared a photo of South Park ICE officers as part of a recruitment push, a detail that has fed the back-and-forth around the satire. Noem responded to the depiction by saying it is lazy to mock women for their appearance, and she did not shy away from engaging with the mockery on social media. The episode’s broader context includes the real life memoir Noem published in 2024, in which she recounts the difficult choice of putting down a dog she described as difficult to train. Tom Homan, a former DHS official, criticized the parody as bad form, while Noem herself later posted a caricature of the South Park portrayal.
Key Takeaways
"Didn’t see this on TV Here’s the Paramount+ version of the end credits scene."
Caption from South Park’s social post promoting the clip.
"It’s so lazy to constantly make fun of women for how they look."
Noem addressing criticism of her appearance.
"I think the South Park parody, I guess you’d call it, it’s in bad form, especially right now."
Tom Homan’s response to the satire.
Satire now travels through a fast lane of clips and streaming, expanding its footprint beyond traditional TV airwaves. The extra end credits scene brings conversation about political figures into the realm of memes and social media reactions, where engagement can outpace traditional reporting. This dynamic tests how much punchline power is allowed before it crosses lines that political actors deem unacceptable. It also raises questions for networks about brand risk when political satire intersects with graphic violence and real world figures.
The tension between free expression and public reaction remains sharp. For audiences, the debate is less about who is mocked and more about how quickly a platform can shape the narrative through a short clip and a caption. It shows that in the era of clips and memes, satire can become a flash point for discussions on gender, power, and media responsibility.
Highlights
- Didn’t see this on TV Here’s the Paramount plus version of the end credits scene
- It’s so lazy to constantly make fun of women for how they look
- I think the South Park parody, I guess you’d call it, it’s in bad form, especially right now
- If they wanted to criticize my job, go ahead and do that, but clearly they can’t, they just pick something petty like that
Political backlash risk over Noem depiction
The piece features a graphic depiction of a real political figure in a violent scenario, which can provoke backlash from supporters, critics, and advocacy groups. Such portrayals raise questions about sensitivity, media ethics, and how far satire should go when it involves public figures.
Satire keeps pressure on power, even as platforms chase clicks and scale.
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