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Smithsonian review targets seven museums

White House reviews seven Smithsonian museums for bias in history displays amid a broader culture war over how the past is shown.

August 20, 2025 at 09:16 PM
blur Trump administration’s anti-woke campaign targets seven flagship museums

White House documents show a review of seven flagship Smithsonian museums over perceived bias in US history.

Trump targets seven Smithsonian museums in anti woke push

New documents reviewed by The Guardian reveal a White House plan to examine seven flagship Smithsonian museums for what it calls an overly negative portrayal of US history. The flagged institutions include the National Museum of American History, the National Museum of the American Latino, the National Museum of Natural History, the National Museum of African Art, the National Portrait Gallery, the Smithsonian American Art Museum, and the National Museum of Asian Art. A White House official said the administration will explore all options to address what it calls woke bias and that it cannot verify artifact counts until the Smithsonian provides information in response to a prior letter.

The review comes as the Smithsonian has already adjusted some content tied to recent political events, and observers say the move signals a broader political tactic to influence how history is presented in public museums. The administration has demanded information within 30 days and an effort to implement “content corrections” including replacing divisive language. Separately, the Smithsonian has faced pressure in other areas, and the broader pattern mirrors earlier federal pressure seen on universities and other cultural institutions. The Smithsonian did not respond to requests for comment.

Key Takeaways

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The White House flags seven Smithsonian museums for review over alleged bias in history displays
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The list spans history, Latino and African art, natural history, portraiture, and Asian art holdings
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Budget and content rules are being used to pressure museums to change exhibits
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Smithsonian has previously altered content related to political figures and events
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The move reflects a wider pattern of political engagement with cultural institutions
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Observers warn of a chilling effect on curatorial independence and academic freedom
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The dispute could influence public funding dynamics if tensions persist

"The Smithsonian is OUT OF CONTROL, where everything discussed is how horrible our Country is, and how little is recognized about our greatness"

Trump post on Truth Social cited in coverage

"The President will explore all options and avenues to get the Woke out of the Smithsonian and hold them accountable"

White House official statement quoted in the article

"content corrections including replacing divisive language"

Budget director Russ Vought’s instruction to museums

"History should be told with balance, not with power"

Editorial takeaway line, not a direct quote from the article

The episode highlights a clash over who controls memory and how it is shown to the public. If political oversight expands into curatorial choices, museums risk becoming arenas for policy battles rather than spaces for education. That could erode public trust and complicate long standing commitments to scholarly independence. Yet supporters argue that taxpayers deserve oversight when exhibits are seen as biased or divisive. The coming weeks will test whether oversight translates into accountability or stifles uncomfortable but essential conversations about history.

Highlights

  • The Smithsonian is OUT OF CONTROL where everything discussed is how horrible our Country is
  • The President will explore all options to get the Woke out of the Smithsonian
  • content corrections including replacing divisive language
  • Culture should elevate achievement not rewrite it

Political backlash and funding pressure loom over museum reviews

The White House push to review and potentially alter displays at seven Smithsonian museums raises concerns about censorship, academic freedom, and the use of federal oversight. The move could trigger public backlash and affect funding dynamics and governance of cultural institutions.

History will be judged by who writes the captions.

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